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・Mix of classic uzz and JFET/Silicon gains tages ・Mid gain fuzz ・Controls for volume, smooth and fuzz ・Smooth control alters how the fuzz reacts to the guitar ・True bypass

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・Classic fuzz design ・Controls for level, gain and clamp ・Switch to disengage diode clipping ・From overdrive to fuzz ・True bypass

・Control over Mix, Level, and Frequency. ・Can add clean signal to the mix for chordal definition ・Works great before a fuzz Full mode and thin mode

・Strong fuzz with a scooped midrange on one side of the Body knob and strong midrange on the other side. A wild ride! Full control of fuzz, texture and the "body" of the tone. ・Fuzz for fuzz lovers.

・Controls for volume, fuzz and tone ・Reedy, sax like fuzz tones ・Plenty of sizzle and gain on tap ・Tone goes from thick to cutting and thin ・True bypass

・Control over Mix, Level, and Frequency. ・Can add clean signal to the mix for chordal definition ・Works great before a fuzz ・Full mode and thin mode

・unconventional set of tone controls ・Adjustable Mids, bass and treble ・Rugged Construction ・9 Volt operation

・Rough yet sustaining fuzz. ・The Body knob controls the amount of girthto the tone. ・Counter clockwise rolls off thelow end for 60's style fuzz. ・With the Body Knob rolledup it's full and mean.

・Smooth round fuzz with plenty of gain and sustain ・Balanced high and low gain ・None of the flubby bass of many vintage fuzzes ・Cleans up well with guitars volume knob

・A cross between the Maestro Fz-1 and elements of the Shin Ei Fy-2. ・Basically sounds like a silicon Tone Bender MK1 with the ability to pan between a lower grainy type fuzz and a big, cutting Tone Bender type fuzz. ・There are in-between sounds as well. ・The fuzz knob is a blend between one and two transistor circuits in series. ・"The pedal has a lot of sustain and very vintage tones, when the "texture" is dimed I find the pedal to be exactly like an MKI tone bender. ・A very woody, beautiful tone. However, I find the pedal to have the sustain of an MKII tonebender!" - Adam Mahler

・True-bypass switching with heavy-duty 3PDT push button switch and LED ・Sustain, High and Volume controls ・Hand-wired construction ・Hand-painted durable aluminum enclosure ・Metal film resistors for low noise operation ・9v AC adapter jack with reverse polarity protection

・3 Stage MOSFET-voiced Fuzz ・JFET Input Buffer ・BJT Output Buffer ・Volume, Fuzz & Bias Controls ・Gain & FAT Trimmers ・Fuzz/OD Voice Toggle ・2 Internally DIP switched Low Pass Filters ・Available in Metallic Green or Silver

・Control for volume, fuzz and attack ・Smooth control tailors fuzz reaction to guitar ・Thick oversaturated fuzz ・True bypass

・True Bypass ・Clean Channel ・Mean Channel ・Standard -9VDC or Battery Operation

・3 Stage Germanium/MOSFET-voiced Fuzz ・JFET Input Buffer ・BJT Output Buffer ・Volume, Fuzz & Bias Controls ・Gain & FAT Trimmers ・Fuzz/OD Voice Toggle ・2 Internally DIP switched Low Pass Filters ・Available in Chrome/Green Firemist

・True-bypass switching with heavy-duty 3PDT push button switch and LED ・Hand-wired construction ・Hand-painted durable aluminum enclosure ・Metal film resistors for low noise operation ・Quality Switchcraft 1/4" jacks ・9v AC adapter jack with reverse polarity protection ・No Op-Amp chips, all NPN transitors for more musical gain.

The Harmonic Tremolo is an analog MOSFET adaptation of the beautifully elusive Fender Brownface era Harmonic Vibrato circuit. Fender’s “Vibrato” is actually a Tremolo effect (modulation of volume or amplitude). However, in the early 60′s, Leo Fender developed a much more interesting version of Tremolo where the signal was split into treble and bass bands, and these two paths were amplitude modulated (tremolo) with out-of-phase LFOs. The result? Tonal bliss. And by bliss, I mean sweet, throbbing tremolo with a side of phasing. You see, the treble/bass crossover is not perfect, and when the signals are recombined, the overlap creates a phasing effect when modulated. The sound is chewy and fluid, without the annoying whooshes that come with traditional phasers. As a bonus, the effect imparts a characteristically Fender EQ curve to the tone.

・True Bypass ・Clean Channel ・Mean Channel ・Standard -9VDC or Battery Operation

・True-bypass switching with heavy-duty 3PDT push button switch and LED ・Sustain, High and Volume controls ・Hand-wired construction ・Hand-painted durable aluminum enclosure ・Metal film resistors for low noise operation ・9v AC adapter jack with reverse polarity protection

・3 NOS Tungsram AC125z Germanium Transistors ・Gain, Tone, and Level Controls ・Anti-Matter Left, Center and Right Controls ・2-Position Low Cut Toggle Switch ・2-Position Q-Link Toggle Switch ・Hand-Wired ・Hand-Painted ・True Bypass ・9v Battery Operation ・5.75” (14.6 cm) x 4.75” (12.06 cm) x 2.75” (6.98 cm)

・2 Stage Hybrid OpAmp/MOSFET Preamp ・LED & MOSFET Clipping ・Active Baxandall Bass & Treble EQ Trimmers ・Drive, Shift and Volume Controls ・Compression/Saturation Trimmer ・Internally DIP switched Harmonics settings ・New for 2013

・True-bypass switching with heavy-duty 3PDT push button ・switch and LED ・Hand-wired construction ・Hand-painted durable aluminum enclosure ・Metal film resistors for low noise operation ・Quality Switchcraft 1/4" jacks ・9v AC adapter jack with reverse polarity protection ・No Op-Amp chips, uses a MOSFET transistor for more musical gain.

The Black Shuck is a versatile Overdrive & Distortion preamp designed for pure rock tones. The design features multiple cascaded gain stages for a dynamic, punchy tone. Controls for Gain, Bias, Tone and Volume keep it user friendly. The overall EQ has a subtle mid scoop making it perfect for driving clean to semi-dirty amps as well as stacking with flat or mid-happy boosts, fuzzes and overdrives.

・3 cascaded gain stages ・Op amp and power amp clipping ・Controls for fuzz and volume ・Thick and strong bass ・True bypass

・2 Independent Flickinger Angry Sparrows in One Box ・2 Independent True Bypass Footswitches ・2 Volume, 2 Tone, 2 Gain Controls ・Hand-Wired ・Hand-Painted ・9vDC or Battery Operation ・5.75” (14.6 cm) x 4.75” (12.06 cm) x 2.75” (6.98 cm)

・3 Stage MOSFET-voiced Fuzz ・JFET Input Buffer ・BJT Output Buffer ・Volume, Fuzz & Bias Controls ・Gain & FAT Trimmers ・Fuzz/OD Voice Toggle ・2 Internally DIP switched Low Pass Filters ・Available in Metallic Green or Silver

The Sweet Kiwi MkII is a revised and updated version of a limited edition Fuzz from 2012. The original Kiwi Fuzz was based on cascading power amp designs combining op amp clipping for musical sizzle and power amp stages for thick, juicy muscle. The combination is best described as a fuzzy, saturated amp. The MkII takes the original circuit and adds an active inverting treble control, making the pedal overall non-inverting, and allows you to tailor the sizzle to your particular rig. An input gain trimmer controls the character of the op amp stage from smooth OD to fuzz, and unlocks a host of new stacking applications. Turn the input down for a smoother tone, hotter pickups, or when using the Kiwi after a boost, overdrive or other fuzz. Turn it up when using low output pickups, driven directly from the guitar.